Contrast Dantes presentation of sins and sinners in Inferno and Essay

Contrast Dantes presentation of sins and sinners in Inferno and Purgatorio - act Examples and sinners in Inferno and Purgatory and characteristic portrayal of sins and sinners by Dante surpasses the treatment of the theme by any literary figures the world literature. Ultimately, of course, what most distinguishes Dante Inferno from other representations of Hell is that he creates sinners so multiform and alive that the reader is compelled to sympathize and identify with them, rather than simply to fear their lot and resolve to distract it. (Lansing and Barolini, 476) Therefore, Dante Alighieris presentation of sins and sinners in Inferno and Purgatory argon unlike their typical representations in literature and at that place is prerequisite difference in the depiction of sins and sinners between the books Inferno and Purgatory. In a profound summary of the two books of the godly Comedy, it becomes lucid that Dantes Purgatory, in contrast to the Inferno, is a place of camarader ie, harmony, and sharing and it is, in fact, a transitory state of existence where the sinners are hopeful of purging themselves of their sins and gaining entry into Paradise. Significantly, there is essential difference in the representation of sins and sinners between the books Inferno and Purgatory and it is important to realize this distinction to comprehend how the Divine Comedy surpasses other pieces of the world literature which deal with the same theme.In his introduction to Purgatory, Mark genus Musa makes the distinction between the portrayal of sins and sinners in Inferno and Purgatory as follows In the Inferno the damned are grouped according to the sinful acts they committed in the Purgatory repentant sinners are grouped according to the tendencies that were the former of their sins. Penance is not to be considered as a punishment, but rather as a disciplinal measure for that sinner who has repented. It was a discipline imposed in order to help one make out the old h abit of ones sin or the residual tendency to sin. (Musa, x) Therefore, Dante has been careful about